The University of Queensland

The influencer factory: a Marxist theory of corporate personhood on YouTube

Bollmer, Grant and Guinness, Katherine (2024). The influencer factory: a Marxist theory of corporate personhood on YouTube. Stanford, CA, United States: Stanford University Press.

Contemporary absurdities, existential crises, and visual art

Katherine Guinness and Charlotte Kent eds. (2024). Contemporary absurdities, existential crises, and visual art. Bristol, United Kingdom: Intellect.

Influencer aesthetics

Yiğit Soncul, Grant Bollmer and Katherine Guinness eds. (2024). Influencer aesthetics. Post45: Post45.

The De Gruyter handbook of digital culture

Bollmer, Grant, Guinness, Katherine and Soncul, Yiğit (2024). The De Gruyter handbook of digital culture. Berlin, Germany: De Gruyter.

Schizogenesis : The Art of Rosemarie Trockel

Guinness, Katherine (2019). Schizogenesis : The Art of Rosemarie Trockel. Minneapolis, MN United States: University of Minnesota Press. doi: 10.5749/j.ctvsn3n7h

Archival defiance: historiographical approaches to feminist performance art and rerformance writing

Guinness, Katherine and Marshall, Jocelyn (2024). Archival defiance: historiographical approaches to feminist performance art and rerformance writing. Women’s innovations in theatre, dance, and performance. (pp. n/a-n/a) edited by Elliot Mercer and Jill Lane. New York, NY, United States: Bloomsbury.

Self-Portraiture and Self Performance

Guinness, Katherine (2022). Self-Portraiture and Self Performance. Visual Culture Approaches to the Selfie. (pp. 40-59) edited by Murray, DC. New York, NY United States: Routledge. doi: 10.4324/9780367206109-2

For no given reason

Guinness, Katherine (2021). For no given reason. This:That William Wylie and Corey Drieth. (pp. 9-31) Charlottesville/Colorado Springs: University of Virginia and University of Colorado Colorado Springs.

The vegetal world

Guinness, Katherine (2021). The vegetal world. Family Tree Whakapapa: Elin, Madeleine, Sarah, and Susanne Slavick. (pp. 3-9) Auckland, New Zealand: Wallace Arts Trust and Aratoi - Wairarapa Museum of Art and History.

Heath Franco’s LIFE IS SEXY

Guinness, Katherine (2017). Heath Franco’s LIFE IS SEXY. The National. (pp. n/a-n/a) Sydney, NSW, Australia: Art Gallery of New South Wales, Carriageworks, and the Museum of Contemporary Art Sydney.

Feminist interview project: Julia Rose Sutherland in conversation with Jocelyn E. Marshall

Marshall, Jocelyn E., Sutherland, Julia Rose and Guinness, Katherine (2023). Feminist interview project: Julia Rose Sutherland in conversation with Jocelyn E. Marshall. Art Journal Open.

Feminist interview project: Cassils in conversation with Amelia Jones

Jones, Amelia, Cassils and Guinness, Katherine (2023). Feminist interview project: Cassils in conversation with Amelia Jones. Art Journal Open.

Nuclear mediation and autobiographical ghosts

Guinness, Katherine (2023). Nuclear mediation and autobiographical ghosts. Apocalyptica.

Feminist Interview Project: Senga Nengudi in Conversation with Daisy McGowan

McGowan, Daisy, Nengudi, Senga and Guinness, Katherine (2022). Feminist Interview Project: Senga Nengudi in Conversation with Daisy McGowan. Art Journal Open.

Feminist interview project: Christine Sun Kim in conversation with Tabitha Jacques

Jacques, Tabitha, Kim, Christine Sun and Guinness, Katherine (2022). Feminist interview project: Christine Sun Kim in conversation with Tabitha Jacques. Art Journal Open.

Collaborative reflections on the feminist art and architecture collaborative

Kent, Charlotte, Guinness, Katherine and Tanga, Martina (2021). Collaborative reflections on the feminist art and architecture collaborative. The Oxford Artistic and Practice Based Research Platform (4).

Empathy and nausea: virtual reality and Jordan Wolfson's Real Violence

Bollmer, Grant and Guinness, Katherine (2020). Empathy and nausea: virtual reality and Jordan Wolfson's Real Violence. Journal of Visual Culture, 19 (1), 28-46. doi: 10.1177/1470412920906261

The Coloniser and Corpus Nullius

Guinness, Katherine (2020). The Coloniser and Corpus Nullius. Parallax, 26 (1), 76-88. doi: 10.1080/13534645.2019.1685782

Negative hauntology and the nuclear sublime: on VR and catastrophe

Guinness, Katherine (2020). Negative hauntology and the nuclear sublime: on VR and catastrophe. Spectator, 40 (2), 31-39.

Collaborations – A formless dialectic

Guinness, Katherine (2019). Collaborations – A formless dialectic. Montclair State University Creative Research Center.

Making Kin with Pessimism (and Mushrooms)

Guinness, Katherine (2018). Making Kin with Pessimism (and Mushrooms). Tilt West.

‘Do you really want to live forever?’: Animism, death, and the trouble of digital images

Bollmer, Grant and Guinness, Katherine (2018). ‘Do you really want to live forever?’: Animism, death, and the trouble of digital images. Cultural Studies Review, 24 (2), 79-96. doi: 10.5130/csr.v24i2.5995

Hard at Play: Zaniness and Labour in Contemporary Art

Guinness, Katherine (2018). Hard at Play: Zaniness and Labour in Contemporary Art. Australian and New Zealand Journal of Art, 18 (1), 90-107. doi: 10.1080/14434318.2018.1481333

To manifest

León, Ana María, Merrett, Andrea J., Ziaee, Armaghan, Mejía Moreno, Catalina, Kent, Charlotte, Stiles, Elaine, Cheatle, Emma, Chuong, Jennifer Y., Maxim, Juliana, Iarocci, Louisa, Tanga, Martina, Touloumi, Olga, Guinness, Katherine, Surface, S., Sohail, Saher, Parrish, Sarah and Paneth-Pollak, Tessa (2018). To manifest. Harvard Design Magazine, Winter 2018, 182-189.

Phenomenology for the selfie

Bollmer, Grant and Guinness, Katherine (2017). Phenomenology for the selfie. Cultural Politics, 13 (2), 156-176. doi: 10.1215/17432197-4129113

The future is already here, tt’s just the end

Guinness, Katherine (2016). The future is already here, tt’s just the end. Kapsula, 3, 8-15.

9B and me (love, touch, destruction)

Guinness, Katherine (2015). 9B and me (love, touch, destruction). Kapsula, 2 (3), 6-13.

Marina Abramović doesn’t feel like you

Guinness, Katherine and Bollmer, Grant David (2015). Marina Abramović doesn’t feel like you. Feral Feminisms, 3 (Winter), 40-55.

Celebrating an unstable oeuvre: Rosemarie Trockel’s retrospective

Guinness, Katherine (2014). Celebrating an unstable oeuvre: Rosemarie Trockel’s retrospective. Esse (80), 76-81.

Does Heath Franco think I’m a dickhead? (Or, how I learned to stop worrying and love the art that makes me angry)

Guinness, Katherine (2014). Does Heath Franco think I’m a dickhead? (Or, how I learned to stop worrying and love the art that makes me angry). Kapsula, 1 (4), 16-19.

Desiring and destruction: Rosemarie Trockel’s painting machine

Guinness, Katherine (2012). Desiring and destruction: Rosemarie Trockel’s painting machine. NYX: A Noctournal, 93-100.

Mediation and autobiographical ghosts

Guinness, Katherine (2023). Mediation and autobiographical ghosts. Nuclear Ghosts Workshop, Käte Hamburger Centre for Apocalyptic and Post-Apocalyptic Studies, Heidelberg, Germany, 26-27 July 2023.

Feminist care for the archive: art history, text(ures) and methodologies

Marshall, Jocelyn E. and Guinness, Katherine (2023). Feminist care for the archive: art history, text(ures) and methodologies. Shaking the Archives: Reconsidering the Role of Archives in Contemporary Society, Edinburgh, Scotland, 23-25 June 2023.

Virtual reality for a burning world

Bollmer, Grant and Guinness, Katherine (2023). Virtual reality for a burning world. RE:SOURCE – The 10th International Conference on the Histories of Media Art, Science and Technology, Venice, Italy, 13-16 September 2023.