The University of Queensland

The diary of Philip Thomas Smith on board the Royal Admiral en route for Van Diemen’s Land: 27 November 1831 to 8 April 1832

Richard Fotheringham ed. (2016). The diary of Philip Thomas Smith on board the Royal Admiral en route for Van Diemen’s Land: 27 November 1831 to 8 April 1832. Melbourne, Australia: Australian Scholarly Publishing.

Catching Australian Theatre in the 2000s

Richard Fotheringham and James Smith eds. (2013). Catching Australian Theatre in the 2000s. Australian Playwrights, Amsterdam: Editions Rodopi.

The Bushrangers

Richard Fotheringham ed. (2013). The Bushrangers. New Vintage, Brisbane, Australia: Playlab Press.

White Australia

Richard Fotheringham ed. (2013). White Australia. New Vintage, Brisbane, Australia: Playlab Press.

Massacres of Australian Aborigines in Queensland’s Maranoa region in the 1850s

Fotheringham, Richard (2011). Massacres of Australian Aborigines in Queensland’s Maranoa region in the 1850s. St Lucia, QLD, Australia: The University of Queensland.

A history of the Avalon Theatre, 1921-2007

Pearn, Nigel and Fotheringham, Richard (2007). A history of the Avalon Theatre, 1921-2007. St Lucia: The University of Queensland.

In search of Steele Rudd : author of the classic Dad & Dave stories

Fotheringham, Richard, 1947- (1995). In search of Steele Rudd : author of the classic Dad & Dave stories. St. Lucia, Qld.: University of Queensland Press.

Introduction: a lawyer’s voyage to Van Diemen’s Land

Fotheringham, Richard (2016). Introduction: a lawyer’s voyage to Van Diemen’s Land. The diary of Philip Thomas Smith on board the Royal Admiral en route for Van Diemen’s Land: 27 November 1831 to 8 April 1832. (pp. ix-xviii) edited by Richard Fotheringham. Melbourne, Australia: Australian Scholarly Publishing.

Editing popular nineteenth-century melodramas

Fotheringham, Richard (2014). Editing popular nineteenth-century melodramas. The editorial gaze: mediating texts in literature and the arts. (pp. 119-128) Abingdon, Oxon, United Kingdom: Taylor and Francis .

“Gallipoli Bill”: a comedy of the Great War

Fotheringham, Richard (2014). “Gallipoli Bill”: a comedy of the Great War. Gallipoli Bill. (pp. 5-10) edited by Arthur Adams. Brisbane, QLD, Australia: Playlab.

"Australia's One Successful Folk Drama": an introduction to 'On Our Selection'

Fotheringham, Richard (2013). "Australia's One Successful Folk Drama": an introduction to 'On Our Selection'. On Our Selection. (pp. 5-12) Brisbane, QLD, Australia: Playlab Press.

"White Australia" in 1909: the background to the play and the two surviving scripts

Fotheringham, Richard and Carleton, Stephen (2013). "White Australia" in 1909: the background to the play and the two surviving scripts. White Australia or, the empty North. (pp. 6-16) edited by Richard Fotheringham. Brisbane, Australia: Playlab Press.

Preface: Australian theatre in the noughties

Fotheringham, Richard (2013). Preface: Australian theatre in the noughties. Catching Australian theatre in the 2000s. (pp. 9-13) edited by Richard Fotheringham and James Smith. Amsterdam, Netherlands: Rodopi.

Bert Bailey's Copy of On Our Selection

Fotheringham, Richard (2010). Bert Bailey's Copy of On Our Selection. Found in Fryer : Stories from the Fryer Library Collection. (pp. 68-69) edited by Follett, Roslyn. St Lucia: University of Queensland Library.

General Introduction

Fotheringham, R. A. (2006). General Introduction. Australian Plays for the Colonial Stage 1834-1899. (pp. XXI-LXXXVI) edited by R. Fotheringham. St Lucia, Queensland: The University of Queensland Press.

Introduction. Arabin; or, The Adventures of a Settler

Fotheringham, R A (2006). Introduction. Arabin; or, The Adventures of a Settler. Australian Plays for the Colonial Stage 1834-1899. (pp. 96-110) edited by R. Fotheringham. St Lucia, Queensland: The University of Queensland Press.

Introduction. For 60,000 pounds

Fotheringham, R. A. (2006). Introduction. For 60,000 pounds. Australian Plays for the Colonial Stage 1834-1899. (pp. 387-396) edited by R. Fotheringham. St Lucia, Queensland: The University of Queensland Press.

Introduction. For the Term of His Natural Life

Fotheringham, R A (2006). Introduction. For the Term of His Natural Life. Australian Plays for the Colonial Stage 1834-1899. (pp. 457-470) edited by R. Fotheringham. St Lucia, Queensland: The University of Queensland Press.

Introduction. Hazard; or, Pearce Dyceton's Crime

Fotheringham, R A (2006). Introduction. Hazard; or, Pearce Dyceton's Crime. Australian Plays for the Colonial Stage 1834-1899. (pp. 316-324) edited by R. Fotheringham. St Lucia, Queensland: The University of Queensland Press.

Introduction. Life in Sydney; or, The Ran Dan Club

Fotheringham, R A (2006). Introduction. Life in Sydney; or, The Ran Dan Club. Australian Plays for the Colonial Stage 1834-1899. (pp. 41-58) edited by R. Fotheringham. St Lucia, Queensland: The University of Queensland Press.

Introduction. The Bushrangers; or, Norwood Vale

Fotheringham, R A (2006). Introduction. The Bushrangers; or, Norwood Vale. Australian Plays for the Colonial Stage 1834-1899. (pp. 5-12) edited by R. Fotheringham. St Lucia, Queensland: The University of Queensland Press.

Introduction. The House that Jack Built

Fotheringham, R A (2006). Introduction. The House that Jack Built. Australian Plays for the Colonial Stage 1834-1899. (pp. 218-232) edited by R. Fotheringham. St Lucia, Queensland: The University of Queensland Press.

Introduction. The Kelly Gang

Fotheringham, R A (2006). Introduction. The Kelly Gang. Australian Plays for the Colonial Stage 1834-1899. (pp. 551-570) edited by R. Fotheringham. St Lucia, Queensland: The University of Queensland Press.

Introduction. The South-Sea Sisters: A Lyric Masque

Fotheringham, R A (2006). Introduction. The South-Sea Sisters: A Lyric Masque. Australian Plays for the Colonial Stage 1834-1899. (pp. 193-198) edited by R. Fotheringham. St Lucia, Queensland: The University of Queensland Press.

Introduction: Tent Shows and Abominable Showmen

Fotheringham, R. A. (2001). Introduction: Tent Shows and Abominable Showmen. Way Out West: Legends and Larrikins - A Travelling Federation Show. (pp. 7-13) edited by Margery Forde and Michael Forde. Brisbane: Playlab Press.

Shakespeare in Queensland: A Cultural-Economic Approach

Fotheringham, R. A. (2001). Shakespeare in Queensland: A Cultural-Economic Approach. O Brave New World: Two Centuries of Shakespeare on the Australian Stage. (pp. 218-235) edited by John Golder and Richard Madelaine. Sydney: Currency Press.

Steele Rudd (Arthur Hoey Davis)

Fotheringham, R. A. (2001). Steele Rudd (Arthur Hoey Davis). Dictionary of Literary Biography. (pp. 327-336) edited by Selina Samuels. Detroit: Gale Research Co..

Theatre from 1788 to the 1960s

Fotheringham, R. A. (2000). Theatre from 1788 to the 1960s. Cambridge Companion to Australian Literature. (pp. 134-157) edited by Elizabeth Webby. Melbourne: Cambridge U P.

May Holt’s Waiting Consent

Fotheringham, Richard (2020). May Holt’s Waiting Consent. Nineteenth Century Theatre and Film, 47 (2), 174837272092577-155. doi: 10.1177/1748372720925771

Alfred Dampier's 'Shakespearean Fridays'

Fotheringham, Richard (2019). Alfred Dampier's 'Shakespearean Fridays'. Theatre Research International, 44 (2), 135-152. doi: 10.1017/S0307883319000026

The Great War and popular modernism: Pat Hanna's Louis XI

Fotheringham, Richard (2016). The Great War and popular modernism: Pat Hanna's Louis XI. Queensland Review, 23 (2), 133-142. doi: 10.1017/qre.2016.25

Screening live performance: Australia's major theatre companies in the age of digital transmission

Fotheringham, Richard (2016). Screening live performance: Australia's major theatre companies in the age of digital transmission. Australasian Drama Studies (68), 3-33.

Index

Fotheringham, Richard (2015). Index. Contemporary Theatre Review, 25 (1), 115-118. doi: 10.1080/10486801.2015.992606

ADS at thirty: three decades of Australasian drama, theatre, performance and scholarly research

Fotheringham, Richard, Forgasz, Rachel, Ginters, Laura, Hunter, Mary Ann, Warrington, Lisa and Milne, Geoffrey (2012). ADS at thirty: three decades of Australasian drama, theatre, performance and scholarly research. Australasian Drama Studies, 60 (60), 6-19.

Inside the killing fields of Queensland

Fotheringham, Richard (2010). Inside the killing fields of Queensland. The Australian Literary Review, 12-13.

Review of: Gae Anderson, Tivoli King: Life of Harry Rickards, Vaudeville Showman (Sydney: Allambie, 2009)

Fotheringham, Richard (2010). Review of: Gae Anderson, Tivoli King: Life of Harry Rickards, Vaudeville Showman (Sydney: Allambie, 2009). Australasian Drama Studies, 57, 231-233.

Laughing it off: Australian stage comedy after World War 1

Fotheringham, Richard (2010). Laughing it off: Australian stage comedy after World War 1. History Australia, 7 (1), 03.1-03.20. doi: 10.2104/ha100003

Speaking a new world: Language in early Australian plays

Fotheringham, Richard (2009). Speaking a new world: Language in early Australian plays. AUMLA - Journal of the Australasian Universities Language & Literature Association, 111 (May), 1-20. doi: 10.1179/000127909805259580

Anti-colonial Voices? Non-British Accents and the National Authentication of Shakespeare in Australia in the 1970s

Fotheringham, Richard and Pensalfini, Rob (2007). Anti-colonial Voices? Non-British Accents and the National Authentication of Shakespeare in Australia in the 1970s. Australasian Drama Studies, 50 (50), 49-65.

Li, Ruru. Shashibiya: Staging Shakespeare in China

Fotheringham, Richard (2005). Li, Ruru. Shashibiya: Staging Shakespeare in China. Australasian Drama Studies (46), 139-143.

Theatrical Events: Borders, Dynamics, Frames (review)

Fotheringham, Richard (2005). Theatrical Events: Borders, Dynamics, Frames (review). Modern Drama, 48 (4), 852-854. doi: 10.1353/mdr.2006.0025

'It's worse further up'. review of Graham Seal, Inventing ANZAC: The digger and national mythology

Fotheringham, R. A. (2004). 'It's worse further up'. review of Graham Seal, Inventing ANZAC: The digger and national mythology. Australian Book Review, 265, 24-24.

Viola Tait, Principal boys ... and all that: A history of pantomime in Australia

Fotheringham, Richard A. (2003). Viola Tait, Principal boys ... and all that: A history of pantomime in Australia. Australasian Drama Studies (43), 189-192.

'Spouting in the Colonies'. Review of Robert Jordan, The Convict Theatres of Early Australia 1788-1840.

Fotheringham, R. A. (2003). 'Spouting in the Colonies'. Review of Robert Jordan, The Convict Theatres of Early Australia 1788-1840.. Australian Book Review, 248, 31-31.

Exiled to the colonies: 'Oscar Wilde' in Australia 1895-1897

Fotheringham, R. A. (2003). Exiled to the colonies: 'Oscar Wilde' in Australia 1895-1897. Nineteenth Century Theatre & Film, 30 (2), 55-68.

Review of Canvas Documentaries: Panoramic Entertainments in Nineteenth-Century Australia and New Zealand. By Mimi Colligan

Fotheringham, R. (2003). Review of Canvas Documentaries: Panoramic Entertainments in Nineteenth-Century Australia and New Zealand. By Mimi Colligan. Theatre Research International, 28 (2), 216-217. doi: 10.1017/S0307883303271091

Review of See How It Runs: Nimrod and the New Wave. By Julian Meyrick

Fotheringham, R. A. (2003). Review of See How It Runs: Nimrod and the New Wave. By Julian Meyrick. Theatre Research International, 28 (2), 218-219. doi: 10.1017/S0307883303291094

An Ocker in Centre Stage

Fotheringham, R. A. (2002). An Ocker in Centre Stage. Sydney Morning Herald, 29-30 June, 10-10.

Amphitheater staging: In-the-round or to the front (and what about asides)?

Fotheringham, R. A. (2001). Amphitheater staging: In-the-round or to the front (and what about asides)?. Comparative Drama, 35 (2), 163-176. doi: 10.1353/cdr.2001.0018

Audiences as performers: Laughter and interpretative repertoires in a performance season for Young People

Fotheringham, R. A. (2001). Audiences as performers: Laughter and interpretative repertoires in a performance season for Young People. NJ (Drama australia Journal), 25 (2), 65-78.

Theorising the Individual Body on Stage and Screen; or, The Jizz of Martin Guerre'

Fotheringham, R. A. (2001). Theorising the Individual Body on Stage and Screen; or, The Jizz of Martin Guerre'. Journal of Dramatic Theory and Criticism, 15 (2), 17-32.

The Cambridge History of American Theatre: Vol 1, ed Don B Wilmeth & Christopher Bigsby

Fotheringham, R. A. (2000). The Cambridge History of American Theatre: Vol 1, ed Don B Wilmeth & Christopher Bigsby. Australasian Drama Studies, 37, 106-110.

Defiance: Political Theatre in Brisbane, 1930-1962

Fotheringham, R. A. (2000). Defiance: Political Theatre in Brisbane, 1930-1962. NJ (Drama Australia Journal), 24 (1), 125-127.

Writing in dark times

Fotheringham, R. A. (2000). Writing in dark times. Ignite, 4, 10-12.

Dramatic Copyright in Australia to 1912

Atkinson, Roslyn and Fotheringham, Richard (1987). Dramatic Copyright in Australia to 1912. Australasian Drama Studies, 11, 47-63.

The Doubling of Roles on the Jacobean Stage

Fotheringham, Richard (1985). The Doubling of Roles on the Jacobean Stage. Theatre Research International, 10 (1), 18-32. doi: 10.1017/S0307883300010464

Using on-screen modeling to examine Shakespearean stage performance

Fotheringham, Richard (2014). Using on-screen modeling to examine Shakespearean stage performance. 9th World Shakespeare Congress 2011, Prague, Czech Republic, 17-22 July 2011. Lanham, MD, United States: University of Delaware Press.

Australasian Drama Studies

Australasian Drama Studies. (2001). (38)

Colonial Australia, 1798-1901

Fotheringham, R. A. (2001). Colonial Australia, 1798-1901.

Ostracised

Fotheringham, Richard and Kelly, Veronica (1995). Ostracised.

Parsifal: or, The Redemption of Kundry

Fotheringham, Richard and Kelly, Veronica (1995). Parsifal: or, The Redemption of Kundry.