PhD (UQ), Graduate Certificate in Higher Education (UQ), MPhil (Medieval and Renaissance Studies) (UWA), LLB (Hons) (UWA), BA (UWA)
Dr Victoria Bladen teaches in literary studies, poetics and adaptation in the School of Communication and Arts at UQ and has twice received a Faculty award for teaching excellence (2017 and 2015). She has published on early modern poetry, Shakespeare, Shakespeare on screen, Jane Austen and the pastoral genre.
Journal Article: <i>Aquatic and Celestial Space in Baz Luhrmann</i>'<i>s</i> William Shakespeare's Romeo plus Juliet (<i>1996</i>)
Bladen, Victoria (2023). Aquatic and Celestial Space in Baz Luhrmann's William Shakespeare's Romeo plus Juliet (1996). Shakespeare On Screen: Romeo and Juliet, 62-78.
Journal Article: <i>Introduction</i> - <i>From Canon to Queer</i>: Romeo and Juliet <i>on Screen</i>
Bladen, Victoria, Hatchuel, Sarah and Vienne-Guerrin, Nathalie (2023). Introduction - From Canon to Queer: Romeo and Juliet on Screen. Shakespeare On Screen: Romeo and Juliet, 1-29.
Book: Shakespeare on Screen: Romeo and Juliet
Victoria Bladen, Sarah Hatchuel and Nathalie Vienne-Guerrin eds. (2023). Shakespeare on Screen: Romeo and Juliet. Shakespeare on Screen, Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/9781009200905
Eleven Portraits of Drowning: Writing the Ecopoetic Body
(2021) Master Philosophy
Shakespeare on Screen: Romeo and Juliet
Victoria Bladen, Sarah Hatchuel and Nathalie Vienne-Guerrin eds. (2023). Shakespeare on Screen: Romeo and Juliet. Shakespeare on Screen, Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/9781009200905
Hamlet in the twenty-first century
Victoria Bladen and Yan Brailowsky eds. (2022). Hamlet in the twenty-first century. Paris, France: CNED; Belin Education.
The tree of life and arboreal aesthetics in early modern literature
Bladen, Victoria (2022). The tree of life and arboreal aesthetics in early modern literature. New York, NY USA: Routledge. doi: 10.4324/9781003180043
William Shakespeare's The merchant of Venice
Bladen, Victoria (2020). William Shakespeare's The merchant of Venice. Cheltenham, Victoria: Insight Publications.
Shakespeare on screen: King Lear
Victoria Bladen, Sarah Hatchuel and Nathalie Vienne-Guerrin eds. (2019). Shakespeare on screen: King Lear. Shakespeare on Screen, Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/9781108589727
William Shakespeare's Much ado about nothing
Bladen, Victoria (2019). William Shakespeare's Much ado about nothing. Cheltenham, Victoria: Insight Publications.
Measure for Measure by William Shakespeare
Bladen, Victoria (2015). Measure for Measure by William Shakespeare. Melbourne, VIC, Australia: Insight Publications.
Supernatural and secular power in early modern England
Marcus Harmes and Victoria Bladen eds. (2015). Supernatural and secular power in early modern England. Farnham, Surrey, England: Ashgate Publishing.
Shakespeare on screen : "Macbeth"
Sarah Hatchuel, Nathalie Vienne-Guerrin and Victoria Bladen eds. (2013). Shakespeare on screen : "Macbeth". Rouen and Le Havre: Presses Universitairs de Rouen et du Havre.
Henry IV part 1: William Shakespeare
Bladen, Victoria (2011). Henry IV part 1: William Shakespeare. St Kilda, VIC, Australia: Insight Publications.
William Shakespeare's Julius Caesar
Bladen, Victoria (2011). William Shakespeare's Julius Caesar. St Kilda, VIC, Australia: Insight Publications.
William Shakespeare's Romeo and Juliet
Bladen, Victoria (2010). William Shakespeare's Romeo and Juliet. Elsternwick, Vic., Australia: Insight Publications.
Elsinore's ecosystem: the natural and the supernatural in Hamlet
Bladen, Victoria (2022). Elsinore's ecosystem: the natural and the supernatural in Hamlet . Hamlet in the twenty-first century. (pp. 133-147) edited by Victoria Bladen and Yan Brailowsky. Paris, France: CNED- Belin Education.
Two tragedies of love: Romeo and Juliet and Othello
Bladen, Victoria (2020). Two tragedies of love: Romeo and Juliet and Othello. The Cambridge companion to Shakespeare on screen. (pp. 92-104) edited by Russell Jackson. Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/9781108367479.009
Introduction: dis-locating King Lear on screen
Bladen, Victoria, Hatchuel, Sarah and Vienne-Guerrin, Nathalie (2019). Introduction: dis-locating King Lear on screen. Shakespeare on screen: King Lear. (pp. 1-30) Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/9781108589727.001
Looking for Lear in The Eye of the Storm
Bladen, Victoria (2019). Looking for Lear in The Eye of the Storm. Shakespeare on screen: King Lear. (pp. 185-201) edited by Victoria Bladen, Sarah Hatchuel and Nathalie Vienne-Guerrin. Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/9781108589727.012
Screen magic in Peter Greenaway’s Prospero’s Books and Julie Taymor’s The Tempest
Bladen, Victoria (2017). Screen magic in Peter Greenaway’s Prospero’s Books and Julie Taymor’s The Tempest. Shakespeare on screen: The Tempest and late romances. (pp. 215-231) edited by Sarah Hatchuel and Nathalie Vienne-Guerrin. Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/9781316286449.014
Othello on screen: monsters, marvellous space and the power of the tale
Bladen, Victoria (2015). Othello on screen: monsters, marvellous space and the power of the tale. Shakespeare on screen: Othello. (pp. 24-42) edited by Sarah Hatchuel and Nathalie Vienne-Guerrin. Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/CBO9781316272060
Shaping supernatural identity in The Witch of Edmonton (1621)
Bladen, Victoria (2015). Shaping supernatural identity in The Witch of Edmonton (1621). Supernatural and Secular Power in Early Modern England. (pp. 95-116) edited by Marcus Harmes and Victoria Bladen. Farnham, Surrey, United Kingdom: Ashgate Publishing.
The intersections of supernatural and secular power
Bladen, Victoria and Harmes, Marcus (2015). The intersections of supernatural and secular power. Supernatural and Secular Power in Early Modern England. (pp. 1-14) edited by Marcus Harmes and Victoria Bladen. Farnham, Surrey, England: Ashgate Publishing.
Weird space in macbeth on screen
Bladen, Victoria (2013). Weird space in macbeth on screen. Shakespeare on screen: macbeth. (pp. 81-106) edited by Sarah Hatchuel, Nathalie Vienne-Guerrin and Victoria Bladen. Mont-Saint-Aignan, France: Presses Universitaires de Rouen et du Havre.
Imagining Zeus and the Zeus of Olympia in early modern culture
Bladen, Victoria (2011). Imagining Zeus and the Zeus of Olympia in early modern culture. The statue of Zeus at Olympia: New approaches. (pp. 173-188) edited by Janette McWilliam, Sonia Puttock, Tom Stevenson and Rashna Taraporewalla. Newcastle-upon-Tyne: Cambridge Scholars Publishing.
The ghost and the skull: Rupturing borders between the living and the dead in filmed Hamlets
Bladen, Victoria (2011). The ghost and the skull: Rupturing borders between the living and the dead in filmed Hamlets. Shakespeare on screen: Hamlet. (pp. 143-174) edited by Sarah Hatchuel and Nathalie Vienne-Guerrin. Le Havre, France: Universities De Rouen Et Du Havre.
Pruning the tree of virtue in in Shakespeare’s Titus Andronicus
Bladen, Victoria (2010). Pruning the tree of virtue in in Shakespeare’s Titus Andronicus. 'This earthly stage': World and stage in late medieval and early modern England. (pp. 39-61) edited by Brett D. Hirsch and Christopher Wortham. Turnhout, Belgium: Brepols.
The "Tree of Life" and the King's arboreal bodies in Shakespeare's Cymbeline
Bladen, Victoria (2010). The "Tree of Life" and the King's arboreal bodies in Shakespeare's Cymbeline. "Rapt in secret studies" : Emerging Shakespeares. (pp. 213-229) edited by Darryl Chalk and Lawrence Johnson. Newcastle upon Tyne, U.K.: Cambridge Scholars Publishing.
Bladen, Victoria (2009). The lopped lavinia-tree: Intersections of fallen terrain between William Shakespeare's Titus Andronicus (1594) and Julie Taymor's Titus (2000). Shakespeare on screen: The Roman plays. (pp. 67-103) edited by Sarah Hatchuel and Nathalie Vienne-Guerrin. France: Publications des Universities De Rouen Et Du Havre.
Andrew Marvell and the tree of life
Bladen, Victoria (2008). Andrew Marvell and the tree of life. Renaissance Poetry and Drama in Context: Essays for Christopher Wortham. (pp. 269-284) edited by Lynch, Andrew and Scott, Anne M.. Newcastle UK: Cambridge Scholars Publishing.
Arboreal language and otherness in Andrew Marvell's "Upon Appleton House" (1651)
Bladen, Victoria (2008). Arboreal language and otherness in Andrew Marvell's "Upon Appleton House" (1651). Langue et altérité dans la culture de la Renaissance. (pp. 101-129) edited by Lecercle, Ann and Brailowsky, Yan. Paris, France: Presses Universitaires de Paris Ouest.
Bladen, V. (2007). The tree of life motif as renaissance cultural rhizome: An interdisciplinary mapping of arboreal imagery in biblical text, early European visual culture and dramatic text (Shakespeare's Titus Andronicus). Rhizomes: Connecting Languages, Cultures and Literatures. (pp. 133-154) edited by N. Ramiere and R. Varshney. UK: Cambridge Scholars Publishing.
Man Ray: Light, camera and the unbearable lightness of being
Bladen, V. I. (2005). Man Ray: Light, camera and the unbearable lightness of being. Man Ray: Life, work & themes. (pp. 25-29) edited by E Bledsoe et al. St Lucia: Vanguard Press.
Bladen, Victoria (2023). Aquatic and Celestial Space in Baz Luhrmann's William Shakespeare's Romeo plus Juliet (1996). Shakespeare On Screen: Romeo and Juliet, 62-78.
<i>Introduction</i> - <i>From Canon to Queer</i>: Romeo and Juliet <i>on Screen</i>
Bladen, Victoria, Hatchuel, Sarah and Vienne-Guerrin, Nathalie (2023). Introduction - From Canon to Queer: Romeo and Juliet on Screen. Shakespeare On Screen: Romeo and Juliet, 1-29.
Performing the Child Motif in Kurzel’s Macbeth (2015)
Bladen, Victoria (2017). Performing the Child Motif in Kurzel’s Macbeth (2015). Anglistik, 28 (2), 129-137.
Pastoral retreat and green texts: the 2009 Globe production of Love's Labour's Lost
Bladen, Victoria (2015). Pastoral retreat and green texts: the 2009 Globe production of Love's Labour's Lost. Australian Literary Studies, 30 (2), 29-43. doi: 10.20314/als.6fad022437
Bladen, Victoria (2014). Landscape and Mansfield Park. Sensibilities, 48, 25-40.
Bladen, Victoria (2013). Scott, Anne M., Alfred Hiatt, Claire McIlroy, and Christopher Wortham, European Perceptions of 'Terra Australis'. Parergon, 30 (1), 272-274. doi: 10.1353/pgn.2013.0007
When Jane met William: dialogues between Austen and Shakespeare
Bladen, Victoria (2012). When Jane met William: dialogues between Austen and Shakespeare. Sensibilities, 45, 61-90.
Bladen, Victoria (2012). The rock and the void: pastoral and loss in Joan Lindsay's Picnic at Hanging Rock and Peter Weir's film adaptation. Colloquy (23), 159-184.
Chloe Houston. Ed. New Worlds Reflected: Travel and Utopia in the Early Modern Period.
Bladen, Victoria (2011). Chloe Houston. Ed. New Worlds Reflected: Travel and Utopia in the Early Modern Period.. Parergon, 28 (2), 201-203. doi: 10.1353/pgn.2011.0078
Francis Cruickshank, Verse and Poetics in George Herbert and John Donne.
Bladen, Victoria (2011). Francis Cruickshank, Verse and Poetics in George Herbert and John Donne.. Parergon, 28 (2), 188-190.
Bladen, Victoria (2011). Vintage Shakespeare. Parergon, 28 (1), 258-260. doi: 10.1353/pgn.2011.0042
Of Books and Botany in Early Modern England: Sixteenth-Century Plants and Print Culture
Bladen, Victoria (2010). Of Books and Botany in Early Modern England: Sixteenth-Century Plants and Print Culture. Parergon, 27 (1), 229-231. doi: 10.1353/pgn.0.0209
Bladen, Victoria (2010). Review of: Medievalisms in the postcolonial world: The idea of 'the middle ages' outside Europe (Rethinking theory), Davis, Kathleen and Nadia Altschul, eds. Parergon, 27 (2), 214-216.
Medici Gardens: From Making to Design (review)
Bladen, Victoria (2009). Medici Gardens: From Making to Design (review). Parergon, 26 (1), 221-223. doi: 10.1353/pgn.0.0143
Imagining the Tree of Life : the language of trees in Renaissance literary and visual landscapes
Bladen, Victoria (2008). Imagining the Tree of Life : the language of trees in Renaissance literary and visual landscapes. PhD Thesis, School of English, Media Studies and Art History, The University of Queensland. doi: 10.14264/177578
Walking through the university: a translation of place & mind
Bladen, V. I. (2004). Walking through the university: a translation of place & mind. St Lucia: Vanguard Press.
Bladen, V. I. (2004). William and the Winter's Tale. St Lucia, Qld., Australia: Vanguard: Australian Legal Philosophy Students Association..
Eleven Portraits of Drowning: Writing the Ecopoetic Body
(2021) Master Philosophy — Associate Advisor
Other advisors: